In the digital age, there are a million and one ways to find out what someone you fancy is doing - but remember, they can see when you're watching their Instagram stories. If you fall deep into a hole of snooping, resist flicking through the digital diaries of their exes, or at least learn to cover your tracks.
I have always had strong maternal instincts. Even when I was still a child I cut out pictures of prams from newspapers and imagined the feeling of pushing my own pram through fresh winter snow and seeing the wheels' tracks behind me in the snow.
I've been in the studio when you go through a track and you run down a track and you know even before the singer starts singing, you know the track is swinging... you know you have a multimillion-seller hit - and what you're working on suddenly has magic.
I love doing film soundtracks and working with directors on how they want the scene to be portrayed on audio as opposed to visual. I like the collaborative effort of working with people.
At this point I've got a bit of a track record. So people realize that when 'Weird Al' wants to go parody, it's not meant to make them look bad... it's meant to be a tribute.
What is beauty, anyway? It's more than something pleasant looking. If it doesn't stop us in our tracks and make us unable to move for a moment, unable to put into words what's closing off the breath in our throats, then maybe it's pretty, but it probably isn't beauty.
What I have to show, I show on the track.
I'm delighted about the track's success in the sports world, but the frustrating thing is, I don't think I got rich on it. The labels and publishers did very cheap deals on our songs.
I love music, and outside of work my family keeps me very busy, I have five children to keep track of.
In horror movies today it's lots of fast cut shot and lots of loud noises on the soundtrack. I tried to do the opposite. Playing with silence for instance.
