I think you need to be intentional at times about your leadership - where you're eating lunch, who you're interacting with, making guys feel like you're interested in what they're doing. If it's authentic, then it's going to be an easy conversation and easy hangout time.
I'm at a point where there isn't any wasted movement in the throwing motion. Everything is consistent and smooth. When I first got into the league, I held the ball really high. That was the standard in college, and it messed up my timing a little bit - the draw, bringing it back, then the release.
I'm a big believer if you want to change people's minds or get someone to vote for you, either a voter or a colleague, you've got to first get their attention.
If people don't know who you are, they're not going to listen to your message. And not everybody pays attention to politicians by watching Fox News and CNN.
Our responsibility is to captivate you for however long we've asked for your attention. That said, there is tremendous drama to be gotten from the great, what you would say, heavy issues.
My parents took me to see plays, starting from when I was very little. Oftentimes, I was too young to understand. I don't know what my parents were thinking - 'Who's Afraid of Virginia Woolf' when I was eight years old, that kind of thing. So lots of times, I didn't understand what was going on, but I just loved the sound of dialogue.
I don't really like attention too much.
I spend a lot of time doing carpentry. Sometimes there is nothing that gives me the contentment that sawing a piece of wood does.
I see potential in everything. It's about opening your mind to what you can do to the garment: because they're cheap, you can cut them or stitch them, and if you stuff it up, it's fine - it's only two dollars.
I will say that a lot of art, some of the best art, has very powerful and meaningful messages behind it, and the more you read the stuff on the walls, the more you learn the artist's intention, and you have a totally new point of view of what it's about.
