Nearly all monster stories depend for their success on Jack killing the Giant, Beowulf or St. George slaying the Dragon, Harry Potter triumphing over the basilisk. That is their inner grammar, and the whole shape of the story leads towards it.
My message, especially to young people is to have courage to think differently, courage to invent, to travel the unexplored path, courage to discover the impossible and to conquer the problems and succeed. These are great qualities that they must work towards. This is my message to the young people.
When we tackle obstacles, we find hidden reserves of courage and resilience we did not know we had. And it is only when we are faced with failure do we realise that these resources were always there within us. We only need to find them and move on with our lives.
As a little girl, I didn't like stories about little girls. I liked stories about dragons and beasts and princes and princesses and fear and terror and the Four Musketeers and almost anything other than nice little girls making moral decisions about whether to tell the teacher about what the other little girl did or did not do.
Our bombs are smarter than the average high school student. At least they can find Kuwait.
The difference between tragedy and comedy: Tragedy is something awful happening to somebody else, while comedy is something awful happening to somebody else.
I grew up in Haifa and enjoyed the wonderful beaches and Mount Carmel that rolls into the Mediterranean Sea. From my early days at home, I remember a strong encouragement to study.
I've got leverage on a guy that's 6-6, and I'm strong enough to push 600-plus pounds off on a double-team.
Our experience on 'Avatar' heavily influenced how we approached 'The Dragon Prince' and how we built our team.
On 'The Dragon Prince', we wanted to push that even more to leverage the strengths of a CG and 3D pipeline. We wanted details on the character designs, in the costumes and sets, that you really can't get in traditional 2D animation.
