I had saved a lot of money working at Mrs. Fields' Chocolate Chip Cookies, ushering at the Golden Gate Theatre, and doing odd jobs so I could live in New York for a few months. If it ran out, I would have to give up and go home. It turned out OK. I got my Equity card and started working.
When you're a big money earner and your husband isn't, it makes you question how feminine you are. I felt I was less feminine than if I was a supporting wife, or a second fiddle, or 'Mrs. Higgins.'
I worked with Mrs. Davis for four years, and then she realized, as the material started getting harder, that I had never learned to read. I was just listening as she'd play the song, and I'd play it back. When that happened, she got very upset and stopped being my teacher.
I had a 2-week courtship with a fellow student in the fiction workshop in Iowa and a 5-minute wedding in a lawyer's office above the coffee shop where we'd been having lunch that day. And so I sent a cable to my father saying, 'By the time you get this, Daddy, I'll already be Mrs. Blaise!'
For many people, Mrs. Brown has come from the middle of nowhere. But Mrs. Brown was first written for radio. I wrote it for a radio series in 1992. It was a five-minute piece for radio, and it's been absolutely astonishing.
I don't know the secret of Mrs. Brown, but what I do know is that there are things that Mrs. Brown says and does that Brendan O'Carroll couldn't get away with. I think maybe it's a leniency that they're with an old woman. It's the old woman thing. I think secretly we all just want to be Joan Rivers.