I loved Japan. I used to read a lot about it when I was a child. And I always wanted to go. And it was delightful. I absolutely loved it. What a smashing place.
It's an album that is a little bit different and probably isn't easy to get out. It's not likely that a major label would have picked it up and said that they had a smash hit record.
Mama was a natural cook. At harvest time, she would whip up a noontime dinner for the men in the field: fried chicken with milk gravy, ham, mashed potatoes, lima beans, field peas, corn, slaw, sliced tomatoes, fried apples, biscuits, and peach pie.
I had crashes when I was small and Gumby-like that would have killed me now. I would just fly off jumps and go 40 or 50 meters when I was 6 years old - break skis, smash my goggles and get a bloody nose and go crawl inside for a little while and then come back out and ski more in the afternoon.
My dad was very explosive, God rest his soul. He could fly off the handle like no one I've ever known, and I have definitely got that in my personality: that ability to sort of smash the house up and then say, 'Put the kettle on,' to have that kind of attitude of, 'Well, I'm OK now, so everybody else has got to be OK.'
I was making projections about 'Humans of New York,' back when I had zero followers, that made all my friends and family roll their eyes. I'd throw out these huge numbers: 'One day, a million people are gonna be looking at this. Trust me.' And even those wild, wild numbers I was throwing out have just been smashed. So, it's a good feeling.
I know how I felt when I saw things like 'Fame' on television when I was growing up and how that was an exceptional magnet for me to want to explore the theater. I can only assume that 'Smash' is doing that for anyone who is halfway interested in theater already.