I think where it's going is toward what the music industry is like, where channels will be considered more like labels that carry the type of TV show that you like, and then you'll consume them however you can. For example, I don't really watch Showtime, but I bought 'Homeland,' and I've been watching every episode on my iPad.
'Portlandia' - love it. I can consume three episodes of it without even realizing I'm watching TV.
I loved my time on 'The Mindy Project' so much. It was only supposed to be half a year. It was really only supposed to be one episode, and then it became three episodes, and then it became half a year, and then it became a year and a half, and then it became two years.
In television, you make an hour-long episode every seven days; we used to make 'Party Down' in four days per episode. It's quick and with independent movies is the same: you gotta keep moving. It's very similar.
I didn't know what was going to happen with 'Teen Wolf.' I was only scheduled to do four episodes for them, but they kept me on, and I was like, 'Sweet! I'm still employed! That's awesome!' And then, they let me know that they were considering having me for the second half of the season.
Television doesn't get any better than the second episode of 'Castle.'
Everyone always asks, 'Did you ever rebel? Did you dye your hair blue? Did you wear black nail polish?' I mean, of course, there have been episodes when you wear weird-colored lipstick... But generally, I think I was pretty much the way I am now.
I was a religious 'SNL' watcher all through middle school. I was obsessed with Molly Shannon, Ana Gasteyer, Cheri Oteri - they were on right when I found the show. Then I started watching the older episodes, and it just totally blew my mind that my dream show already existed.
In TV, when you come in to direct an episode, you are effectively learning an established language; you then have to try to learn to speak it really well. But on a movie, you are the guy. You are creating the language; you make most of the decisions.
We got kind of into a rhythm at 'Parks' because there were so many characters that we had an A story, a B story, and a C story just about every episode. So by the middle of that show's run, we always had three stories, and it worked really well.
