In television, you make an hour-long episode every seven days; we used to make 'Party Down' in four days per episode. It's quick and with independent movies is the same: you gotta keep moving. It's very similar.
I've been sort of spoiled on the TV end because HBO feels like a small institution making independent movies. There's respect for the director's contribution in a way that mainstream television doesn't really reflect, I don't think.
I only pay to take my son to the movies, because most of the time I only watch European movies, independent movies, or screen them privately. But I like to go to movies with my son because it's still fun; it reminds me of why I make movies.
My theory is, independent movies only work if you're willing to push the material and do something different.
I think you do independent movies because you're looking to cut away from commercial movies.
I think independent movies are actually very challenging right now, because it was this huge scene and it was great for a few years. Then, it was totally co-opted by the studios. Now, it's become very corporate, the independent scene.
Persistence is half the battle. That's what I love about independent movies. They don't have to be made. There's no studio with an agenda to set up a franchise like 'Batman' or to make a vehicle for a celebrity actor. My films are made because I love the process.
In a sense I feel very much a part of the cinema now in a way where when I come back to the theater now I feel like a visitor. The cinema is really what I enjoy. I want to do more independent movies.
Sometimes the characters I find the most compelling are in independent movies. With independent scripts people can take more challenges.
I couldn't survive just doing independent movies. And I'd rather do modelling than movies or TV I didn't like.
