If you go back and watch 'The French Connection,' it's been cannibalized so many times. There are certain movies like that, where you see the original and think, 'This isn't so great.' And the reason it isn't so great is because everyone has copied it.
I've been fifty thousand times to the Louvre. I have copied everything in drawing, trying to understand.
I feel very, very proud that so many people have copied me.
All content should be copied without restriction. But for education and research, copyright laws are especially damaging.
I didn't set out to be a singer. Actually, the earliest creative efforts I made were drawings copied from comics we got every week at the newsagent, or rearranging photos I cut out and pasted in scrapbooks.
When I was 13 years old, I was obsessed with horror films. I even had, like, a binder that I filled with badly copied images from the Internet of, like, 'Pinhead and Basket Case.'
I loved watching AB de Villiers in the early days. I used to follow him closely. I copied him a lot, too. In the nets, I used to at least try some of the shots he played in the matches.
From the Americans, I took the meet-up platform, from Howard Dean. He used it to gather money. I use it to gather information, to gather forums, not money. This we copied from the United States, the use of the Internet.
Prosecutors say it would be next to impossible to get one teen to testify in court that another had slipped him or her a copied disc at lunchtime. And besides, isn't sharing music a time-honored part of teen friendship?
I don't accept what people say. I took something to be copied recently, to be enlarged and blown up, and they said it couldn't be done, and I went somewhere five minutes away, and they did it.
