I had the longest awkward phase. I had braces for 3 years; I cut my own bangs too far back and they looked like a bowl cut, and I broke my nose twice.
I heard that people were really interested in the new haircut, which I think is so funny. Great haircut, I really like it. It goes great with the time period. And I was super, super, super-happy to have my bangs swept to the side rather than straight in front of me, which I dealt with for three seasons. I'm very, very much done with that.
To get - or not to get - bangs is a question that women struggle with all their life. I consider this question to be amongst those like, 'What happens when we die? or 'Is there life on other planets?'
I like things that are kind of eclectic, when one thing doesn't go with another. That's why I love Rome. The town itself is that way. It's where Fascist architecture meets classic Renaissance, where the ancient bangs up against the contemporary. It has a touch of everything. That's my style, and that's what my work is about.
One time I tried bangs, and people just weren't feeling it at all, but it's my hair. It's my unicorn mane, and it's definitely very important to me. It's also my body, and so I don't really care about other people's opinion of it.
In '87, I was about 9 years old, and so at that point I was wearing, like, fluorescent green T-shirts and acid-wash jeans and leg warmers, and my hair was in a ponytail with a scrunchie and I had the teased bangs that were up in a rainbow shape. It was crazy.