As a producer, as a songwriter, I've spent a lot of time either in my bedroom or in studios, alone.
I dress as a combination of space cowgirl and San Francisco art teacher.
I think so many of the themes from the natural world mimic emotional themes in our lives.
When I was little, my mum would take me to see the orchestra, tell me to close my eyes and think about the story the music was telling. I always spoke about colours. I'd talk about how purple the oboe was.
I feel really held in being vulnerable. That's always been the kind of music that I've gravitated to as well, but to feel really supported by my audience in that is a real privilege.
The music industry is so cool because it's constantly changing.
I've always been a very visual creator. I make mood boards or sit with coloured pencils and scribble and try and figure out what I'm trying to work through musically.
I just kind of, like, know who I am. I think that comes from having an incredibly strong sense of purpose for a very long time.
For me, it's important to ask what are you making, and what's the public's relationship to that. And I say public relationship because I don't really care so much about any sort of reception.
Everybody thinks that touring is really glamourous, but I pretty much sit in a room all day. I have a sort of office where I do emails, and I go for a run, and then at the end of the night, I go to bed. It's not like some crazy party.
Ask about music growing up, I'll tell you I grew up playing classical music, and I didn't grow up in a musical household.