Everyone in Tool is interested in how we present our music. We write a group of songs that have a vibe, energy and feeling, and then we try to pick an image to capture that and communicate a feeling. We want something that adds to the connection with the audience.
To capture sound is to isolate a moment, canonize it, enter it into the historical register.
I am actually talking about possibly adapting 'The Boys,' by Garth Ennis, which would not be a comedy, but an action movie with comedy elements to it.
The Russo brothers are the best people ever, and they cast me in 'Happy Endings.' I did text Joe Russo to say, 'I don't think my character dies, so if you need a local news cameraman to show up in 'Captain America 2'... I know it doesn't make sense, but just hear me out on this!' He was really cool about it and turned me down right away.
I love technology. I have my iPad, iPad mini, iPhone and Mac laptop. Because I love technology, I think if I were not at the NBA, I would try to be part of a tech startup company.
My paintings capture the humor, zaniness, and depth of the Batman villains as well as the Freudian motivations of Batman as an all-too-human, venerable, and funny vigilante superhero.
I did a character called Captain Q for Nestle's Quik. Those commercials were kind of funny.
It was difficult at Villa because they'd struggled for two years and I'd come mainly from Barcelona B in the second division in Spain. I needed time to adapt but Tim Sherwood and Remi Garde had to win games; they didn't have time to think about little things about my game. It was a bad moment, it was such a hard, sad experience.
If I can adapt to different tactics I think I will be a better player.
I really like being thrown into the works. Many actors, I have found, have this as a common trait. We had to, as children, adapt to various situations with either a military family or things like that.
