Smart habitation is an integrated area of villages and a city working in harmony and where the rural and urban divide has reduced to thin line.
It's fun playing villains. It's people who are not held by any moral constraints - or any constraints, for that matter. It's a chance to be completely off the leash and do things that you never could in real life.
I prefer the countryside to cities. This is also true of my films: I have made more films in rural societies, and villages, than in towns.
It's so fun to play a villain. I get to tap into a side of myself I thought I never had.
People in the South want heroes to be their own, whereas it is easier for them to accept a villain who hails from another state.
I never saw myself as a women's footballer. Not when I was in my tiny village in Norway. Not when I was suffering in Germany. Not when I finally made it to Lyon.
I was described as a dreamer, a fantasist, even as the village idiot. I didn't care. What I cared about was convincing people to allow me to go on with my work.
I keep a very low profile in Switzerland. There are only about 2,000 people in the village I live in, so it's a quiet town.
I don't see a lot of movies that portray the East Village as well as I think they can.
My paintings capture the humor, zaniness, and depth of the Batman villains as well as the Freudian motivations of Batman as an all-too-human, venerable, and funny vigilante superhero.
