I'm always writing. There's no stopping. It's just that you can't see it sometimes.
When 'Vida' got the green light, Starz sent me this picnic basket of Jamie Fraser red wine and all these 'Outlander' things that I'll never open because it's like my sacred thing.
Shouldn't you be able to tell your stories from your point of view? We're dealing with that with 'Looking' where some queers are like, 'These guys are so boring! They don't represent me!' But no show can represent everything, so is it OK for us, in 'Looking,' to write about these three men and their world?
We don't have a lot of narrative on TV or film, mainstream film, of brown queers. Latina queers, I can't think of that many.
When I was in school, I didn't get exposed to Latino playwrights.
My first time up to bat as a showrunner, what I did was hire an all-Latinx writers room. And it's a diverse Latinx writers room - we have an Afro-Dominican and Texicans and Chileans. It's diverse within its Latinidad.
I was obsessed with everything about 'Outlander' - the stories, the way it looked. I thought, 'You know what? I'm going to go to Scotland, and I'm going to find my own 'Outlander.''
I hope to see more Latino stories on television - not just on a personal level, but for us in the industry. We shouldn't just exist when a show is attempting to be diverse. We have good stories, and we are worth it.