I had no fear 'cause it seemed everyone in the audience always applauded whatever I did. Course, maybe it was because I always seemed to know everyone in the audience.
I didn't worry about leaving the fast lane - I was just so consumed with my baby that it seemed like the right thing to do. I never felt like I left New York, though. If you've lived in a place and loved it, you never feel like you left it.
I had a dozen years to act before starting a family, then found that motherhood dwarfed everything else. Once or twice a year, I take a project that appeals to me for its redeeming social value.
Most things in my life I had before leaving home. Values, support, great family. I was shaped at an early age. A musician playing guitar, I wanted to be a folk singer.
There have been several television movies, 'Carrie 2,' two musicals! I remember thinking, the first time there was a musical on Broadway, 'Oh my gosh! The people who ordinarily go to the theaters, that's not really the audience.'
I connect with just plain old everyday people. Human behavior fascinates me, the people who are the nuts and bolts of this country who help hold up the world.
The important thing is to be part of a good project with good, talented people.
I go where the good work is being done.
That was the magical thing about the Seventies: artists ruled. Because films were relatively low-budget, nobody cared. We could just go off and work.