That joy of a creative environment, without any restrictions, is hard to leave.
I've been fortunate in my career to have the opportunity to pick and choose the parts I play. I've also been lucky to always be involved with quality actors, quality directors, quality writers.
I was raised a Democrat, and now I'm an Independent.
I'm really enjoying the character now, but I don't want to just be Philip Marlowe. I wouldn't mind playing him every couple of years, perhaps, as a kind of open franchise - you know?
When I first came to Hollywood, I played about as many guys who save the day and get the girl as I played heavies. It's just that heavies are more interesting and last in people's minds.
One thing that's thematically consistent in 'Sin City' is that all the performances seem to be of the same genre, like we're singing the same song.
Before I accept a job, I always talk to folks about it. 'Why does he kill these 22 people?' If they say, 'What difference does it make?' I know we have nothing more to talk about. A character has to be three-dimensional.
The first 10 years I was a professional actor, I did Shakespeare.
I got a lot of flak; in Texas, football is not only the social thing you must do, but you do it also to prove your manhood. They all couldn't conceive of why I'd want to stop to do 'The Importance of Being Earnest.'
Sometimes, I feel like directors look at me and say, 'I want to put that boy in the jungle. I want to hurt him.'