Nina Nesbitt
Nina Nesbitt

I try to create an image to suit my music. These days, you have to create your own personal brand as an artist. It's not about just putting music out any more unfortunately.

Nina Nesbitt
Nina Nesbitt

I've learned not turning things up to full volume is a good idea. Also, because I have the freedom, sometimes when I'm writing a song I'll get carried away with production when I'm only on the first verse, and that sacrifices the songwriting.

Nina Nesbitt
Nina Nesbitt

So I just sat in bed for six months - I literally didn't leave the house - and it was the first time that I'd actually experienced being depressed. I'd be sad on and off but I'd never experienced actual depression. Like, crying for no reason. It was really horrible.

Nina Nesbitt
Nina Nesbitt

I had basically been shelved by the record label for two years and I was writing songs every day. I made two albums that just never came out, and that was just a really big knock to my confidence, because everything I sent seemed like it just wasn't good enough.

Nina Nesbitt
Nina Nesbitt

When I got dropped, no one really wanted to work with me... I felt like my career was over and I didn't really know what to do.

Nina Nesbitt
Nina Nesbitt

As an introvert, you have to spend a lot of time with me and then little bits of my personality will come out over time. But as an artist, sometimes you only get five minutes to impress someone, so it is kind of hard.

Nina Nesbitt
Nina Nesbitt

My tenth-ever gig was in an arena, which is mad... I remember being backstage with multiple artists there and someone had had their teeth done - like veneers - and I come from a very small village where people are lucky to even have all their teeth.

Nina Nesbitt
Nina Nesbitt

I took two years out to find what sound I felt passionate about and what I liked making. After the last album, 'Peroxide', which is quite poppy and acoustic, I felt really bored.

Nina Nesbitt
Nina Nesbitt

Working with other people, it's hard to get them to make it sound like what you have in mind.

Nina Nesbitt
Nina Nesbitt

I came from a really small village outside Edinburgh in Scotland and had quite a sheltered upbringing.

Nina Nesbitt
Nina Nesbitt

I picked up the guitar at 15 because of Taylor Swift.

Nina Nesbitt
Nina Nesbitt

I couldn't get gigs because you need to be 18 in most venues. So I started doing videos. I wasn't thinking about getting a record deal, I just wanted to know if people thought I was good.

Nina Nesbitt
Nina Nesbitt

I never want people to know who I'm going out with or about my family. But it's difficult, because when people have seen you online since you were 14, they feel like they know you.

Nina Nesbitt
Nina Nesbitt

I think when I started my first album, I was 17 or 18, so I guess I was basically a child.

Nina Nesbitt
Nina Nesbitt

I think it's exciting because it pushes you harder to write a great song. Even for established artists, it has to be really good now because people have so many other options.

Nina Nesbitt
Nina Nesbitt

There's even a feature on my website where you can translate messages into codes, so whenever I have any big news it goes out in code first so the diehard fans are the first to know.

Nina Nesbitt
Nina Nesbitt

My career is my whole life, so if I'm not happy with that, it affects everything else.

Nina Nesbitt
Nina Nesbitt

Well, there's this culture on Instagram where everyone uses filters and lighting, or people smooth their skin out. It's this weird thing. We all know it's not real and we all complain about it, yet we all do it.

Nina Nesbitt
Nina Nesbitt

I don't know if I could lip-sync while waterskiing. I had to do that on horseback and it was a nightmare.

Nina Nesbitt
Nina Nesbitt

Working with other artists and writers over the past couple years has really given me a clear idea of my strengths and weaknesses and what is unique about me as an artist. I figured it's my storytelling lyrics, falsetto range and tone of voice, so I write songs to utilize those.