I think Justin Bieber should let me executive produce his album.
Whatever energy you put out is what you're gonna get.
Apart from working on music, I'd rather play big festivals than almost anything else.
Me and my little cousin DJ John John, we used to always be DJing in the house. We never took it seriously.
Don't let this music industry or any industry come between friendship. Just stay focused on your goals.
Being the new guy, you're gonna dress your best every day. When you're the cool guy, you gonna be like, 'Ah, I'm the cool guy anyway. I don't need to dress like that.'
Everybody in the West Coast always like to hear YG, RJ, and Mustard together.
I could do beats with a million sounds, and I could do beats with two sounds. Which one is going to make the most sense, and which one is going to sell the most records? Most of the time, it's the simplicity.
Sam Smith is amazing.
Now I have a business, artists to take care of. I want to make sure everything's going right, because at the end of the day, it's my name.
It's just dumb: how you can have the number 1 record in Los Angeles and not have the number 1 record in New York? It's crazy.
I don't want people to think that just because I do club records, I can't do an album record or an R&B single. I can do R&B, I do pop, I do whatever - but it's still Mustard.
I'm just real in-tune with music - I really listen to R&B more than I listen to rap.
Diplo is one of my homies.
I just wanted to do my own albums where nobody could tell me what to do. Roc Nation was the perfect fit because I could do what I wanted to do.
What I would tell young producers is if there is someone out there who can help you, then go work with that person.
10 Summers isn't just a label, it's a lifestyle.
When I came in the game, it was just me making beats in Inglewood at YG's house; it wasn't nobody to help me.
Everybody knows YG is a turnt up dude that can't nobody control.
I started DJing when I was, like, 11.
