I have been in five Harry Potter films and never read a 'Harry Potter' book. If you are an actor, all you have is the script you are given. If you read the book, you might get disappointed about what's been left out.
I like causing trouble. It's the teddy boy in me. I used to be a teddy boy. Feeling slightly inferior and wanting to cause a bit of bother and get some action going on in the room rather than get bored stiff. Does that make sense?
Paul Schofield said something like, 'If I'm not acting in a play, I don't really exist.' Those weren't the exact words, but he meant it's only when I'm acting in a play that I've got something to say about the world. And then why should I talk, when people can come to see it?
I find it difficult to remember lines. When I'm doing a long speech for television, I sometimes have an earpiece with someone feeding me the text. But I can get by in the theatre if I study hard for a couple of months.
Every part I play is just a variant of my own personality. No real character actor, of course, just me.
I see film roles as lovely presents that come along now and again. I feel really lucky and say thank you very much. And if they fly me to L.A., I think, 'God, I must really be doing well.' I've worked with De Niro and Brando and Pacino, and that's made me feel very lucky. But the films have never meant a lot to me.
I've always tried to be an actor who... I just plod on and try to keep my mouth shut, mind my own business. I find the whole thing about people's lives... I can't understand it. I'm always astonished that people want to know anything about me.
I can't remember any of the films I've done. You go from one to another, and they all blend in to a big mass. You remember the costumes because you remember how you felt - that Western I did with Kevin Costner where I wore the big hat and the two guns, I remember that.
Theater actors are just tolerated. You have to be a movie star to be a celebrity.
When I was doing 'Tales from Hollywood' at the National, I was invited to dinner by the choreographer, Kenneth MacMillan. He told me I had the heart of a dancer and asked me if I'd like to come on at the end of 'Romeo and Juliet' as a friar. I said I'd love to, but sadly, MacMillan died shortly after.