I think the more you know people and the more you get to know artists, the better you can collaborate.
So much music in Africa was created for specific moments, written for rituals or for a funeral or for challenges, thousands of years ago, and these rhythms are still used.
I traveled to a library in South Africa called ILAM (International Library of African Music), which has a collection of about 500 different instruments that don't really exist anymore.
I think to try to make new music and new ideas, you have to push the boundaries of existing music.
So when I'm listening to music, I'm listening to a lot of hip-hop to be inspired and to hear new things.
The plan was just to make great art, and working with Donald Glover, who is such a renaissance man, we've been working together for ten years, and he is always pushing the envelope in a way - like, whenever we work together, I have no idea what it is going to turn out to be.
Something I grew up with is John Williams, of course, with 'Indiana Jones' and 'Star Wars.'
It was very challenging, trying to add an orchestra on top of these traditional African rhythms, because as soon as you add any kind of melody or chords over it, it stops feeling African.
Music in Africa is perceived so differently than Western classical music - it's language and storytelling.
As a kid growing up in Sweden loving American music, I always dreamt of migrating here and working with brilliant artists like Donald Glover.