That was when I realised that music is the most profound, magical form of communication there is.
I wouldn't want to criticise someone like Charlotte Church because she has done fantastically well, but personally I've always cared about the long term.
It worries me that young singers think you can shortcut the training and go straight to fame and fortune, and programmes like Pop Idol have encouraged that.
I performed in Sydney some years ago for the Sydney Festival and I am just so pleased to be returning to the wonderful Sydney Opera House and also performing in Melbourne for the first time.
As far as I was concerned the important thing was that the music was getting the attention as well as me so it was always a great way to get more of the public to connect with classical music, and opera particularly.
One of the problems that we face through the media attention that these artists receive is that there has been an awful lot of talk about opera and classical music being elite and being for an elitist group.
What people really should be able to be confident in is that the standards of music- making that classically trained musicians present is elite, it is the best and all of us as artists should be committed to that.
I don't just come from a musical family, but from a musical community.
The musical heritage of Yorkshire is deep and wide.
And woven into the fabric of this harsh existence was music.
Singing is an arduous business and it needs sacrifices.
I saw The Sound of Music when I was 10 and thought that it was the most beautiful singing I had ever heard.