Of course, success takes you where your character can't sustain you.
Different cultures produce a different 'cool.' And your perception of 'cool' changes depending on where you are.
My grandad's a gospel singer, and his children were singers, too. But I don't believe in God in the same way... not religion; it breaks us up too much. The same with musical styles - it breaks people up. I believe they are all one thing - why not put them together?
I grew up not really having a father figure, and it didn't bother me, because he wasn't there in the first place. But then he started other families, and I was jealous. It was like he was happy without our family.
When I was younger, I'd be in the studio three days straight to get something right, and my manager would be like, 'Go home!' Even now, I still sleep in the studio sometimes, but I can't do it quite as often. I've got gigs; I can't have my hobo beard! But if you love what you're doing, you can't stop. It's obsessive.
I want to be a little bit brave. I want to feel scared sometimes. That's what's going to change the music business, if we have that kind of attitude.
One thing I always really enjoyed about Quincy Jones' production technique was that there were so many layers to every song. Like, one week you'd hear a new trumpet-line, then the next week you'd hear - be hearing a new guitar-line.
Everyone in my family has been in music - my cousins, my grandmother, my grandfather - so it's quite a big family tree.
I try as much I can after every live performance to read all the comments my fans post on Facebook and Twitter, as this helps enormously for me to understand straight from fans what worked and what didn't.
My fans are like, 'Lab does what he does,' which is really cool. If I came out with a Jack White rock tune tomorrow, people would be like, 'Yeah, cool man,' which is great.