We're the only species that can look into the future and know that we're going to die one day, and it causes all sorts of cognitive stress on your system.
We're the first technology-creating species. We use technology to extend our reach. We didn't stay in the caves, and we haven't stayed on the planet. To play jazz with our genomes and the universe might ultimately be what we're all about.
I prefer the word 'journeyman' to 'journalist' because I think that certainly, when you hear a story, you want to hear certain facts. But I also think what makes a story interesting is the points of view expressed therein.
I think people who have all kinds of debilitating mobility issues will benefit from robotic augmentation. That is, even before we get into organ replacement and organ printing and synthetic biology and so on and so forth.
I make short films, little documentaries, about the co-evolution of humans and technology.
My approach to creating content is focused on pulling people out of their intellectual comfort zones. I'm interested in presenting ideas in unique ways that challenge people to question their assumptions.
The scientist and engineers who are building the future need the poets to make sense of it.
Movies have these transcendent moments where everything is just right, from the dialogue to the music to the lighting to the narrative context; everything is just perfect, and something magical happens - the film breaks through the screen and does something to you.
As a media artist and filmmaker, I'm constantly considering the role of situational context when creating my work.
Creativity and insight almost always involve an experience of acute pattern recognition: the eureka moment in which we perceive the interconnection between disparate concepts or ideas to reveal something new.
We live in a world where, for whatever reason, the conversations that tend to stick are the ones where 'if it bleeds, it leads.' But we've always been afraid of new technologies in spite of the fact that they've helped improve our lives in countless ways.
If you use it intelligently, Twitter can be a form of engineered serendipity.
For me, it's always a failure of the imagination. I have that anxiety that time is passing, that everything is ultimately fleeting and impermanent. I better take advantage of every single moment.
By cultivating rich social networks, by cultivating weak ties, not just close ties but the weak ties, by becoming connectors and by connecting others so that they connect us, we create a world in which these self-amplifying feedback loops feed on top of each other.
I was at the University of Miami, and I still had, like, a semester or so left. And through the film school, I found out that Al Gore was launching a new TV network; they were looking for passionate young storytellers to transform television, which was, like, ambiguous but magnificent-sounding.