I wanted somebody who had a heart and a soul, because Joe Carroll is soulless. There was nothing in there. He was a vacuum of a man.
We always have relationships in our lives with people we've fallen in love with, who come back into our lives, and we fall in love with them again and go, 'I shouldn't be doing this,' but you can't stop it.
Joe Carroll had a certain black comedy to him. But I think it's lovely playing a man who, in his heart and soul, is a gentle man. And he's wounded and complicated.
The East Texas accent is a famously difficult accent to do.
I do know Joe Lansdale has the most extraordinary voice you've ever heard in your life in terms of an accent that, when I started doing it, they had to go, 'Whoa, we need less.' But that's how he talks.
We shot the first season of 'Hap and Leonard' towards the end of the summer in Louisiana, in and around Baton Rouge. If anyone's been to Louisiana or comes from Louisiana, they know what the weather's like down there at that time of year: it's unbearably hot for an Englishman.
If you read Grimm's fairy tales, they're absolutely terrifying.
I think, as an actor, I would find it a little run-of-the-mill doing procedurals where it's the same sort of thing week in and week out. Your character doesn't get to grow very much, which, purely from an actor's point of view, you want to see an arc of your character.
I am not a big fan of what I call 'ambient television,' which just washes through you in a very polite way. I like television that grabs you by the throat and doesn't let go.
Once you have kids, horror movies become too horrible to watch because you imagine your own children in those situations, so you stop watching them.