I think artists are really the root of a tree. They can search for truth or reality in their own way, and the gallery can support them - the outside part of the tree, where it is more about reaching the outside world, connecting with the outside world. That is the role of the gallery, no? Why does the artist have to do that?
I was very good at sitting. But I just read so much research about how horrible sitting is for you. It's like, it's really bad. It's like Paula-Deen-glazed-bacon-doughnut bad. So I now move around as much as possible.
The best are the ones built without controversy, when the owner, the architect, and the builder work together.
I suppose if I'd got a brilliant first and done research I might still be a don today, but I hope not. People become dons because they are incapable of doing anything else in life.
I suggest that ten thousand Negroes march on Washington, D.C., the capital of the Nation, with the slogan, 'We loyal Negro American citizens demand the right to work and fight for our country.'
There are hundreds of books about Woodrow Wilson, but I have an image of him in my mind that is unlike any picture I have seen anywhere else, based on material at Princeton and 35 years of researching and thinking about him.