Doing the Best I Can' is a sure fire hit. Incredibly commercial. But what could you say about it? Catchy and good to dance to. But 'Nothing Rhymes' is different. A much bigger risk but it was lyrics people could talk about. So that was the one to launch me on.
The quality of my songs will get through to people. They are good songs. Lyrically, some of them are interesting: there's stories, a bit of humour. I'm very confident about the music I play, you know.
Success isn't dependent on the market place, because I can't control that. It's about completing a good song.
I used to play music all night and sleep during the day. I was very career-minded. The music dominated everything and anything that interfered with that, I put a stop to it.
My Norwegian wife Aase was a Pan Am stewardess back in the Seventies when we met. She was very attractive, and we became good friends, but I was travelling a lot and she was jetting back and forth across the Atlantic, so it was a while before we got together.
The perception that if you're not on 'Top Of The Pops' you're dead and buried is a good one for pop music, because 'TOTP' is a catalyst or barometer for pop success.
I couldn't live without tea. I have two cups in the morning, one at lunch, two in the afternoon and one in the evening - Assam with milk and sugar. It has to be leaf tea - no bags - and drunk from a china cup.
I've always been interested in relationships and the break-up of relationships.
The measure of success was writing a song, recording it and for it being in the hit parade in England. Success was about the postman walking up the garden whistling my song. I wasn't trying to conquer the world.