It used to be that you kind of got pigeonholed into one thing - you're either a stage actor or a TV actor or a movie actor. Today, there's a lot of crossover with film actors doing television, which never happened before, so those lines are a little bit more blurred than they used to be.
When a film is good, the lines between single-screen and multiplex blur.
What guides me is to do work that's more avant-garde - things that I think are special. You can easily become a celebrity and get caught up in all that blur. I just want to work and surprise myself.
Ah, lives of men! When prosperous they glitter - Like a fair picture; when misfortune comes - A wet sponge at one blow has blurred the painting.
I feel like the theme song to 'Duck Tales.' 'Life is like a hurricane; it's a duck blur.' That's absolutely what it is.
I like to blur the line between fact and fiction, but not to condescend to the reader by enmeshing her/him into some sort of a postmodern coop.
I think that the line between television and features started to blur a couple years ago. The standards started to become the same, which is that the idea had to be very loud. The show didn't have to be loud; the idea had to be loud. It had to cut through the clutter.
There is something about a mortarboard that gives otherwise sane and normal people the overwhelming urge to burden you with advice. Some of them cannot help themselves. They were asked to do it by a committee. But one can only take so many pieces of wisdom before they all start to blur together.
I just play to the people I can see. So it's almost like you are playing to the first few rows of the crowd. You can see the faces of the first hundred people, but then it becomes a blur as the crowds disappear over the hill.
When you've worked as hard as I have to form your identity, the last thing you want is to blur where you end and someone else begins.
