I try to maintain a high level of coolness. Which means I've gotta look at lot of magazines. I've gotta look at a lot of ads to see what people want to wear.
Discomfort is the way to go if you want to make something you feel is worthwhile.
When people say that L.A. doesn't have a culture, I think it really does: a very old culture, and very specific. There's streets named after entertainers, and statues of entertainers, and it's great. Entertainment is still art, even if it makes billions of dollars. So it's like a city built on entertainment, and art in a way.
Wayne Coyne has put out Flaming Lips records in gummy bear skulls and all these different kinds of packaging that's really, really inventive. And that's what you should always do.
My father came from Germany. My mom came from Venezuela. My father's culturally German, but his father was Japanese. I was raised in New York and spent two years in Rio. My parents met at the University of Southern Mississippi, and they had me there, and then we moved to New York. I'm not very familiar with Mississippi.
The Long Island experience is so strange. You're a satellite around the city, so the presence of the city is always looming.
When you're in a band, you spend most of your time in a van. Like, there were four of us, we toured all the time, and you're stuck looking at three other people for a month straight. And all of those times, we all just liked making fun of people, doing impressions of people, coming up with songs.
I really loved touring with my band, but it felt like we would spend a lot of time playing in empty rooms - empty clubs. We had some good successes, but it's so physically hard to load up a van and drive all day.