I've been cycling ever since I was a kid. I remember taking my cycling proficiency test aged seven - I got to school at 7:30 A.M. to practise, I was so nervous. After that, I always cycled to school.
Cycling is a great way to learn about your city. I love being outdoors, especially in good weather, but I'm not a fair weather cyclist. I'm happy to get a red nose in the cold.
When I was 13 or 14, my parents had a bit of a windfall so bought a lovely new kitchen, but I burnt it down. I was making cheese on toast when flames escaped from the grill. My father stopped the fire with blind panic and excessive water. I was forgiven, but it put me off cooking for years.
In my job, I am portrayed as a misfit, a grandiose high fashion lady or an unearthly creature. At home, it's important I can look in the mirror, strip away the disguise and be comfortable with who stares back.
I want to show that we all have the right to be ourselves, and I certainly don't want to freeze time.
I love the sun, but we don't get on at all; it doesn't agree with my Celtic tones. I also like nothing better than putting on a big ski jacket and feeling the wind in my face.
When you're physically growing up, you develop emotionally with that.
I think most of my career has been built on conviction and the personality to carry that image or stride confidently on the catwalk. That was my beginning and, hopefully, my legacy.
I think most models fear growing old, but from a tender age I had always chosen to play someone grown up. I am slowly but surely catching up with the people that I have spent the last decade and a half trying to portray.
I am selective. If I do splash out, it's an investment, and I wear things for years.
In the early days of my modelling career, I think the industry was uncomfortable with how strikingly different I was.