I have two new nephews and a new niece this year, so I have plenty of kids that I can spend time with.
Beautiful things comfort; they bring a real clarity and ease. We have to continue to make our environments beautiful - it's sort of like a prayer. If you surround yourself with beautiful things, you have a better life - one with more oxygen.
Where there is age there is evolution, where there is life there is growth.
I don't think it's necessarily healthy to go into relationships as a needy person. Better to go in with a full deck.
During the four years I had spent in New York, I had achieved top status as a model and had worked for the best photographers and designers in the world. I had grown used to hearing that I was exotic and high-fashion.
I was very excited to do 'The Witches.' It was with one of my favorite directors, Nick Roeg, and I loved his work from 'Don't Look Now' and 'Eureka.' So I was very excited to work with him. The story was a very subversive fairy tale by Roald Dahl, and a fantastic part.
I do like the ocean wave, actually. I'm born under the sign of Cancer - the sign of the crab - so I like coastal areas and sunny beaches and such - although not the wide-open and deep seas.
I'm happy to do voice-overs. I always have a good time doing them. I like to explore vocal nuance and accents and different people, different personalities. In a way, it is a lot more freeing than having your face up there.
When you don't have a nine-to-five job, and you're with somebody who gets a tremendous amount of attention, it's not that you resent it - it's that you have all that extra time to think about it.
I am a person whose father had no religion but who went to the nuns for a couple of years. And I think I'm the same: On one hand, I pray; on the other hand, I don't believe. I am constantly between the two.
In 1969, when I was still living in London, I had gone with some friends to see 'Easy Rider' in a movie theater in Piccadilly Circus and had returned alone some days later to see it again. It was Jack's combination of ease and exuberance that had captured me from the moment he had come on-screen.
Gabriel Garcia Marquez's 'One Hundred Years of Solitude' is such a powerful book, and 'Love in the Time of Cholera' is so strangely, brilliantly optimistic.
People often think that looking in the mirror is about narcissism. Children look at their reflection to see who they are. And they want to see what they can do with it, how plastic they can be, if they can touch their nose with their tongue, or what it looks like when they cross their eyes.
I don't see myself ever retiring, unless it's for something that I like better, and so far I like directing a lot but I don't see the necessity to retire from anything unless there's a really great alternative.