I'm not into bikinis or other revealing clothing.
When you're shooting a film, you really don't get to be a dad, and you don't really get to be a husband. You don't really exist at all. But I do drag my family with me on location whenever I can.
I guess subconsciously that all the great people you work with have an influence on you.
I've worked with some of the great cinematographers. So I'm always watching what they do and I'm watching how the director composes his shots, just because I find it interesting as an actor; you're trying to help them out as well.
I really enjoy working on small films.
My background was producing and writing and performing in television when I started out, and I really missed that, that whole creative process that comes from sort of 'me' storytelling.
By the time I finished comedy, I was really burnt out of it. I had had enough. I don't really have a strong desire to prove myself in that area, or to go back to it in any great way.
As an actor I've been attracted to the sort of films that I want to go and see. That tends to usually be drama-related.
I fell in love with many women at school who had no idea I existed. I'm a bit of a romantic.
I think I wasted a lot of my youth, falling for girls who were a couple of years older than me.
I'm a bit of a romantic.
If you can jump up onstage and make people laugh, shouldn't you also be able to inhabit a character?
Over my lifetime, the car had actually transcended the fact that it is a car. It has become a venue.
I don't like to come at my character from some really technical place.
I always find that 90% of the performance, for me, is about what comes from inside.
I guess I'm a very keen observer, and I'd like to think I have a good imagination.
I'm always reading and looking around for the next thing.
I'm spending all my time and energy on the project at hand.
The darker the film, the more vital everyone's sense of humor is on set.
I am attracted to characters who think they are in control, but their situation is uncontrollable.
