Safety and comfort comes with complacency, and that's never a good place to be working from.
I think being different, going against the grain of society is the greatest thing in the world.
There's a real purity in New Zealand that doesn't exist in the states. It's actually not an easy thing to find in our world anymore. It's a unique place because it is so far away from the rest of the world. There is a sense of isolation and also being protected.
I was lucky in the sense that I started work very young but had a solid family base provided by my mother. She instilled a strong sense of perspective and humility in me from a very early age.
I remember the first horror movie I saw - I was five years old; it was a direct-to-video movie called 'Truth or Dare: a Critical Madness,' which is sort of badly fantastic or fantastically bad. And then 'Gremlins' was an early movie that I saw, and 'Nightmare on Elm Street 3.'
I definitely don't look my age. So I actively look for roles that will help people change their perception of me.
I feel like I'm constantly learning. Constantly trying to grow.
After 'Rings,' I had two feelings: One, I immediately didn't want to work on anything on a large scale. I wanted to work on something really small after I was finished filming the first three. But the other thing was that I had a continuing interest in working on things that were really different.
When I was in my 20s, I started frequenting record stores, and there was one in particular called Tropicalia in Furs in New York City. It's closed now, but it was one of those magical places where you would walk in, and the owner would start playing you records and not let you leave. It was such an education.
I had a woman breakdown and cry when she met me which was difficult to deal with because immediately when someone starts to cry, you want to comfort them, you know, 'Poor thing.' I comforted her. I tried to make her feel better.
Putting a needle on a record is almost like you're making a commitment to listening to something.