A lot of the demonstrations that I do, when I get inside people's minds, is understanding human behavior and understanding how people think and getting their patterns down so I know how to create the illusion that I get inside their brain.
There are somewhere between 20,000 and 30,000 working magic professionals in the world, and since we debuted our Magic Kit, we have sold over 1 million. So it's for people who have a strong interest, but be it for one trick or a lifetime, we will be there for them. We will guide them so they don't waste their money.
To me, it's never about the trick. I don't care about how something works. I care about how people feel when they watch it. You know, that - that connection - that emotional connection is true magic.
I'm actually tougher on myself as I get older. It's a vicious cycle. The things that are important in life are the things that you can't buy in life: love, health and happiness. I say that, and I believe that, and I try to live that.
Picking locks or handcuffs for me is not really a big deal, I can do it pretty much in seconds, I've been doing since I was 14 years old. I used to sit on my bed as a kid with a pick set and you know just picking locks and stuff, so I'm used to it.
I came up with the term 'mindfreak' because I didn't like the word 'magician.' I felt like I wanted to coin a term that would be basically the reaction to my art. It would be a mindfreak and so that's why I came up with that. But, many people say I'm really a student of humanity and psychology.
One of my inspirations, Harry Houdini, remains an icon of the art because he defied our primal fears. His demonstrations in the early 20th century, especially his escape from the Chinese water torture cell, represented triumph over suffocation, drowning, disorientation and helplessness.
We are thrilled to work with Fun and share the same sentiment that we want do some really exciting and innovative things for the magic community.
One of the most gratifying things I get as an artist is when people watch me do these different demonstrations, and they in some way feel empowered by what I'm doing so they can confront their own fears. Maybe it's the fear of getting in an elevator; maybe it's the fear of going on a plane and seeing the world.
Houdini connected to people on an emotional level so that when he would escape that straight jacket it wasn't about the straight jacket. It was about people looking at it and escaping poverty. When you have that it's the truest form of magic.
Well to be perfectly frank with you I never created art or have done demonstrations for anyone before myself artistically. I always do it to try to push my own envelope to be the best I can be.
Well, I had an immense respect for Cirque du Soleil when I first say them in the '80s on a television show and just thought, you know, this group is really reinventing the circus, as you know. Because there wasn't three rings. There were no animals.
Well I think everything up to this point that I've been exposed to in my life has had an influence on me in some way, shape, or form even if I'm not conscious of it. So I definitely think that my studies in wu-shu, kung-fu, karate, kenpo, taikwando, all of that stuff certainly has an affect. I don't think I follow any discipline traditionally.
I had an amazing childhood, lots of love. But my dad worked his tail off, getting up at 4 in the morning and going off at 5, 6 o'clock, yet he always had time to spend with his kids and his wife.