Sometimes you just do things and let your natural self become a part of what you're doing.
As a horn player, the greatest compliment one can get is when a person comes to you and says, 'I heard this saxophone on the radio the other day and I knew it was you. I don't know the song, but I know it was you on sax.'
The word spiritual, not the word religious, is the key.
In the mental calmness of a spiritual life, I have found that the answers to the whys in our lives are able to come to you. In my music I find the same thing.
I take my job as a rock and roll sax player very seriously. To do it the way that I must do it, I must be in good condition. The better shape you're in, the harder you can rock.
When I grew up, there was one music: rock n' roll. Somewhere along the line, there was a separation. I don't know why it happened, but it did happen.
It's like Liverpool. Everybody went for the music. All the young musicians seemed to gravitate to Asbury Park.
I grew up with a very religious background.
Rock-and-roll, to me, is very serious because we deal with the young people. We deal with people who need something, and that's the same thing that a preacher does. He feeds you something that you need spiritually in your soul and in your makeup.
As long as my mouth, hands, and brain still work, I'll be out there doing it. I'm going to keep going 'til I'm not there anymore. This is what's keeping me alive and feeling young and inspired.