You know, I don't talk about the characters that I play. Years ago, I was a little timid about it and I kind of squirmed when I was asked, 'Could you tell us something about your character.' Now with a little self-confidence that comes with the grey beard, I just flatly refuse.
For a while, I couldn't decide whether or not I should pursue singing in the opera or acting. And I'm glad that I chose the latter because I wasn't a very good singer.
I used to hate exposure situations. What is generally referred to as 'red carpet.'
I'm trying to be very aware of not repeating myself.
It's easy to not feel misplaced if this tidal wave of appreciation is coming your way.
The fact that Facebook presents facial recognition programmes as a desirable development, well, that in itself is a decisive step toward fascism, as far as I'm concerned.
Look at ISIS - without the Internet, they wouldn't exist in the same form. The Internet didn't create them, but the Internet facilitates them. And as we know from history, the facilitation is more dangerous than the cause, because the cause can be dealt with, but the facilitation is elusive.
The actor is there to translate what's on the page onto the stage or the screen. So I find it important that an actor manages to actually get out of the way, vanish as a person behind the character, never to be seen or talked about again. That's my philosophy.