I was a very cocky and unlikable young comic. But I came from the hood, and that's what I learned.
Acting is reacting. That's when acting is great - when you say something, somebody said something, they make a face, they pose, they use something physical, then you react to that, then they react to you.
Well, the hard part about doing auditions is that the person reading you the lines, they're not really into it. They're just going, 'Oh really, so why do you think that?' And they're just looking at a piece of paper.
I'm like most people in America. I'm conservative on some things, and I'm liberal on other things.
Here's the problem: People have completely and utterly forgotten one thing when it comes to communication - intent.
I had one guy say, 'I watched your show and didn't agree with what you said.' And I'm like, 'It's a joke. How could you not agree? I can understand you saying it's not funny.' But it's like my going onstage and doing a knock-knock and somebody going, 'I disagree. There's no door here.'
Before I got into stand-up, I was a really quiet guy who had all these thoughts, all these things I wanted to say, but there was never anyplace for me to say them because my mom would look at me and go, 'You better not say what you're thinking. You better not.'
When I'm onstage, I'm on, but a different part of me is on: the part of me that absorbs life, sees everything occurring, and touches on everything around me.
The really funny thing is that most all of my friends who are priests have seen me perform, and they say, 'I wish I could talk the way you do on stage. I wish I could reveal truth to my congregation the way you do.'
When I'm performing for 4,000, 5,000 people, it's a show. It's a rock n' roll concert.