I just like the obstacle course of figuring out something.
I feel like I'm never playing the same sized venues within two or three shows. It keeps me and the band fit in a way. It keeps us on our toes just because you don't get used to one size and one energy. It's good to switch it up.
Most of the time, it's pretending I'm somebody else to get into a different head space. A lot of times, it's just, 'Who do I want to be onstage tonight? Is it going to be Marc Bolan, or is it going to be Grace Jones, or Roy Orbison?'
My vocal influences are a lot of jazz singers: Billie Holiday, Julie London, they had this tenderness to their voice.
I did a lot of magic shows growing up. My dad is a graphic designer so he helped me brand myself and create a logo. So I was just rollin' with the magician crowd for a while. But I was really young, 10 to 13, doing table magic and balloon animals at this Italian restaurant.
Yeah, moving to Los Angeles definitely influenced my sound.
I'm influenced by a lot of different genres of music. So I'm constantly trying to rework production and make things interesting in the live show and on records.
As far as playing instruments, it just feels good to have it under your hands. Cause sometimes those instruments have minor imperfections. Sometimes because they're so old, they're always out of tune a little bit.