When you're a birder, you have all sorts of reference books, and you know about migratory patterns and technical stuff. Most people just look out the window, and say 'is that a pigeon?'
One of the things I do really appreciate is that my audiences tend to be a wide range of ages and backgrounds, and I ascribe that to putting in the hours.
The worst thing is when people try and take pictures surreptitiously. I always say, 'Look, you can ask me for a photograph. You will get a much better one than just the side of my face.' Sometimes they just run off. They can't cope.
All kinds of things have gone into my shows - cajun and rock bands, Bollywood, Kraftwerk tributes, effects and so on. As long as it services the comedy, everything is up for grabs.
For me, audio books was about when you can't actually physically get hold of a book, like when you're driving. It's a fantastic companion on a long journey.
If you're going to perform, you're going to attract criticism. You can't please everyone all the time. You don't know how things are going to come out. But that's part of the fun of it, the adventure of doing any kind of art.
I think gaming has influenced popular culture in a huge way. It's worked its way into novels, and blockbuster movies.
Films and gaming are blurring together, and it makes for brilliant popcorn entertainment.
I play the piano and that's how I learned about music. I then taught myself the guitar, drums, percussion and various other things, such as the bazooka, the mandolin, the Theremin, the alpine horn, the didgeridoo.
My grandparents would have big, long arguments that were entertaining and that's where I first noticed, and was thrilled by, political discourse.
We live in the age of entitlement, as opposed to enlightenment.