Adam: [In a decomposed state and trying to say Beetlejuice's name three times] BEH...
[his mouth falls out]
Beetlejuice: You know, you look like somebody I can relate to. Maybe you could help me get out of here, you know, because I got to tell you, this dead thing... it's just too creepy. See, here's my problem. I got these friends I said I'd meet, and it's the kind of thing where I have to be there in person, so could you help me get out of here?
Lydia: I want
to get in.
Beetlejuice: Why?... You know, hey, you probably got your reasons. I can't do anything from here. If you could get me out, then maybe we could talk or something.
[reading The Handbook for the Living and the Dead]
Charles: This thing reads like stereo instructions.
[Harry Belafonte's "Shake Shake Senora" plays in the background]
Charles: Oh, sounds like Lydia got an "A" on the math test.
[a head sculpture of the Betelgeuse snake appears next to him]
Charles: Jeez!
[Charles falls out of his chair. Delia pulls the sculpture up and smiles]
Delia: He likes it.
[Adam and Barbara struggle to understand the "Handbook for the Recently Deceased"]
Barbara: I hate this. Just can you give me the basics?
Adam: Well, this book isn't arranged that way. What do you wanna know?
Barbara: Well, why did you disappear when you stepped off the porch? Are we halfway to heaven? Are we halfway to hell?
And... how long is this gonna last?
Adam: I don't see anything about heaven OR hell. This book reads like stereo instructions. Listen to this: "Geographical and temporal perimeters. Functional perimeters vary from manifestation to manifestation.
[Snaps book shut]
Adam: Oh, this is gonna take some time, honey.
Beetlejuice: Let's see, business section.
[he flips to the obituary page of a newspaper]
Beetlejuice: Ooh la la. What do we got here? The Maitlands, uh? Cute couple. Look nice and stupid, too.
Beetlejuice: [to Charles and Delia] Mom, Dad. I just want you two to know, you're welcome at our house anytime you want to come over. In the meantime, the dowry's on me, dad.
[gives Charles a handful of snakes]
Adam: [reading] 'Handbook of the Recently Diseased'.
Barbara: ...*deceased*.
Adam: Deceased?
Barbara: I don't know where it came from. Look at the publisher.
Adam: [does so] 'Handbook for the Recently Deceased Press'.
Barbara: You know what? I don't think we
survived the crash!
[Adam and Barbara see a dark room with decomposed souls]
Barbara: Oh, Adam... What is this?
Janitor: That's the lost souls room; a room for ghosts that have been exorcised. The poor devils. That's death for the dead. It's all in the handbook.
[he closes the shade of the room]
Janitor: Keep moving.
Barbara: What about that guy in the flyer, you know Betel...
Juno: Shhh! Don't even say his name! You don't want his help!
Adam: We might.
Juno: No, you don't! He does not work well with others.
Barbara: What do you mean?
Juno: I didn't want to bring it up, but
rather than have you stumble on to it and make another mistake, I'll tell you. He was my assistant, but he was a troublemaker. Went out on his own as a freelance bio-exorcist. Claimed he could get rid of the living. Got into more trouble. In fact, I believe he's been sleazing around your cemetery lately. The only way he can be brought back is by calling his name three times. But I strongly suggest
you get the Deetzes out by yourselves.
[about the house]
Otho: There's absolutely no organic flowthrough.
Delia: I noticed that too; it's like a giant... ant farm.