The time I spend with my kids informs every fiber of who I am.
Even with a stable character, you want something surprising to happen, hopefully because that's what the camera loves the most. That's what is great about film.
It's kind of a mystery to me, as far as my own life experiences and what I've witnessed - why some people can just move on through traumatic experiences, in childhood particularly, and why other people are just paralyzed by it. I just don't know how and why that is.
What really motivates you to try to work things out as an actor is in large part fear, because you want to get into that narrative and bring the audience along.
My character in 'Running With Scissors' is manic-depressive. She starts out as a wonderfully eccentric person, and then descends into a terrible illness.
Somebody said something really smart: It's like you end up being the defense attorney for your role. Your job is to defend their point of view. You're fighting for what they want. You learn that in acting school - it's Acting 1A: 'What do you want? What's in the way?'
I don't really have a choice. I'm getting older.
When I look at women, older than I am, in their 50s, 60, 70s, 80s, and I see women that I admire, I think, 'Oh, I get it; that's how I'm going to be.' I'm not scared. I want to be that.
There are so many different kinds of relationships, so it's sort of difficult to define what is considered normal.