Louie is hugely talented. But I get very annoyed at the way the media... say, 'Louis C.K. is the greatest stand-up in the world.' He's not the greatest stand-up in the world. He's not funnier than Dave Attell.
Sometimes things can be a guilty pleasure, but with 'Idol,' everyone talks about it like it's a real thing; they argue over who's gonna win... There's no laughing at it.
I have to say, after hanging out with Republicans for four days, I want to take a look at my own birth certificate. I don't think I was born in this country.
Can we all admit that 'Parks and Recreation' is horrible? Is this something we would all know, but don't say? Maybe everything should not be improv'd.
You tell me that 'Date Night' was good? I'm not going to see it. I will debate you on it, having no knowledge of the footage in the film. I was next to someone on the plane watching it, and they were dozing off.
I don't enjoy writing newspaper articles any more than people like reading them. I'm a standup comic, not a journalist, although sometimes onstage I will say: 'What else is in the news?' Writing is work, which I'm not comfortable with.
I even get tired performing standup, which is normally a low-impact exercise in futility but looks hard the way I do it. That's why I take a lot of breaks, often stopping in the middle of a joke to catch my breath, or blame the crowd for not laughing before the punchline.
The Comedy Bar is an intimate club, which I prefer. I refuse to play theatres, because large empty spaces make me nervous, and I don't enjoy the echo. I'm no sell out. Literally.
I feel completely fearless when I'm on stage. And also totally fearful. There's the fear that I'm not making a very smart career move sometimes, but there's the stronger belief that these things need to be said.
When I started out in the late '80s, my act was pretty terrible, and for years, I kind of toiled in obscurity. I don't believe in a hierarchy in comedy; I feel that a person deserves respect the first time they get onstage, and after that, they just have to be funny and get more consistent.
In the '90s, comedy was at a very low point, but these days, you've got people like Hannibal Burress, Ron Funches, Maria Bamford - people who can play any club, anywhere.
I'm still doing what I've always wanted to do, and how big it gets or how much money I make for it or how popular I am in the public's eye is really not that important, even though it's hard to let that go.