My dad would always get into fights over parking spaces. He would do this all the time.
As far as WeWork is concerned, we're not competing with co-working spaces; we're not competing with office suites. We're competing with work. We think there's a new way of working in the world, and it's just better. For the millenials and everybody that understands collaboration and the sharing economy, that's just the right way for them.
We travel together, passengers on a little spaceship, dependent on its vulnerable reserves of air and soil, all committed, for our safety, to its security and peace. Preserved from annihilation only by the care, the work and the love we give our fragile craft.
My education in the arts began at the Cleveland Museum of Art. As a Cleveland child, I visited the museum's halls and corridors, gallery spaces and shows, over and over. For me, the Cleveland Museum was a school of my very own - the place where my eyes opened, my tastes developed, my ideas about beauty and creativity grew.
Of course, museums and galleries and art spaces will continue to ground the art world. But certainly the public - as well as artists - also benefit when art is encountered in other everyday situations.
I find that 'Ghostbusters' and 'Alien' actually have a lot in common in that they're both so naturalistic in the performances. It feels like people you could be hanging out with right now in this room, yet they're on a spaceship or killing ghosts. But the way they talk is never heightened or otherwordly.
Like, you think, 'Oh, it's 'Star Wars,' everybody has a spaceship' - but no, actually, in the 'Star Wars' universe, having a ship is like having a yacht.
Religion comes from the word 're' or again and 'ligare' meaning to bind or tie back. The purpose of religion is to unite the self with God or the creative force. Music, sacred spaces, and meaningful icons are the way we conjoin our minds with the transcendental.
Activating is about changing people's perceptions of overlooked or invisible spaces. A building can become an archetype, invisible, like for a New Yorker, for example, the Statue of Liberty. You look at it, and it disappears into the thousands of times you've already seen it.