I know of at least two black women who are billionaires: Sheila Johnson, who co-founded BET, and Oprah Winfrey. And I know of hundreds of black women whose net worth is over $1 million.
We all draw inspiration from women whose names make the headlines and whose stories are in the history books, but often our greatest inspiration comes from our mothers, grandmothers, aunts, teachers, and friends.
For more than three years, I'd been part of a complex and frustrating dance as my nonfiction, fact-based material was translated from book to movie by scriptwriters whose visions, goals and sensibilities often were quite different from mine.
London is a city of ghosts; you feel them here. Not just of people, but eras. The ghost of empire, or the blitz, the plague, the smoky ghost of the Great Fire that gave us Christopher Wren's churches and ushered in the Georgian city.
Really, I like the future. I appreciate my automatic alarm-call necklace in case I get lost and confused in a mall. I appreciate the watch that tells the hospital my blood pressure's gone ballistic. I like my computer, just as long as it doesn't get ideas above its workstation.
When Americans come to London they usually say how much they love the history, the tradition, the splendid tumpty-tum of things whose very repetition has become their point.
A clever conjurer is welcome anywhere, and those of us whose powers of entertainment are limited to the setting of booby-traps or the arranging of apple-pie beds must view with envy the much greater tribute of laughter and applause which is the lot of the prestidigitator with some natural gift for legerdemain.