London is a city of ghosts; you feel them here. Not just of people, but eras. The ghost of empire, or the blitz, the plague, the smoky ghost of the Great Fire that gave us Christopher Wren's churches and ushered in the Georgian city.
I don't want to expose my personal life. It's best that people know me for my work. My family doesn't want to be surrounded by cameras. We want to live like any other family.
A lot of times, we look at jazz in eras. How can we not keep those eras separate and think of the language as one complete continuum? It's all interrelated, and it's all evolutionary.
We must erase bin Laden's ugly legacy, not extend it: by ending the Patriot Act's erosion of our civil liberties, we can protect the freedoms that make America worth fighting for.
It makes sense to have cameras in places where terrorism and crime are of particular concern - such as in Times Square or near major bridges and tunnels. It would be more troubling to learn, however, that the government has focused cameras on the front doors of our homes just to keep track of our comings and goings.
You know how in every heist movie they get past the security cameras that show the hallway leading to the diamonds by jamming the screens with a fake signal of everything looking safe and quiet? Usually a guard coughs so they don't notice the blip from switching to the bogus feed.
I want to gesture toward a poetry of ourselves and others under the conditions of twenty-first-century absolutism, making us dimensional in a time when the human concrete is continually erased by state and religious violence and by disingenuous jargon serving state power.
The method in which 'Vadachennai' is narrated gives a feeling as if you are travelling with the characters to the different eras where the various situations happen.