On 'Master of None,' the majority of the episodes were just one story, and that was by design because we really wanted to focus in on the character of Dev and get the audience in his head.
I respect the hell out of everyone who does a network show. That is a marathon. It's so many episodes, and it can be a meat grinder. Anyone making a network show, and on top of that making a very good network show, that's an insane feat of Herculean endurance and fortitude.
I think it's good for 'Drag Race' to be moving toward the mainstream. I'm grateful for the move to VH1. I'm glad that one million people watched the first episode of Season 9. Our message is one of love and acceptance and truth and strength and perseverance, and I believe it should reach everyone, near and far.
There are shows that are monolithic successes on TV that nobody in the business ever watches one episode of.
I feel terrible for directors of TV because all the episodes have to look the same. They make a great series for five or six years, and then when it's canceled, they can't break out on their own.
I'm a very deep thinker, and I find it very hard to switch off at night, so I usually have to put on an episode of 'Friends' or listen to some music before bed.
No director directs 'Game of Thrones' without reading all the episodes and knowing what's going on. All the episodes are written in advance, so you can do that, which is an important point.
Most TV shows are writing the next episode while you're directing the one you're doing, and they're trying to figure out what they're going to do, and they're putting it all together.
'It's Always Sunny in Philadelphia' I did an episode on, and that's one of my favorite television shows ever, and there are these shows that I watch so regularly.
All the weird inconveniences of adult life that you thought they made up to lend excitement and color to episodes of 'Sex and the City' are, in fact, real.
