When the producers of 'Why Poverty?' came to me to do a film about poverty in the United States, I asked if I could do a film about wealth instead. I tend to make films about perpetrators, rather than victims.
I think Matt Yglesias is wrong to declare that the world of 'This Town' is dying, unless he thinks publicly financed elections, strict lobbying bans and Scandinavian-style wealth distribution are imminent.
It's easy for the thought-leader and executive classes to embrace a 'do what you love and love what you do' philosophy when they are wealthy enough to work hard only voluntarily, and when their jobs grant them status.
I'm saving money like there's no tomorrow because, when I was at Juilliard, I had so little. They gave me a full scholarship because I didn't come from a wealthy family or anything.
In tough times, some of us see protecting the climate as a luxury, but that's an outdated 20th-century worldview from a time when we thought industrialization was the end goal, waste was growth, and wealth meant a thick haze of air pollution.
Like many works of literature, Hollywood chooses for its villains people who strive for social dominance through the pursuit of wealth, prestige, and power. But the ordinary business of capitalism is much more egalitarian: It's about finding meaning and enjoyment in work and production.
Acadia was founded in 1916 by Woodrow Wilson as the first Eastern national park, aided by rich men, often with middle initials, the 'rusticators,' as they were known then, the first of our wealthy out-of-state visitors.
Science, which cuts its way through the muddy pond of daily life without mingling with it, casts its wealth to right and left, but the puny boatmen do not know how to fish for it.
Get place and wealth, if possible with grace; if not, by any means get wealth and place.
My grandfather was a Methodist preacher, and my father was an unsuccessful businessman. We didn't have status or wealth.
