I think it's always interesting to make sensational stories where, if these people don't make the right choice, it actually puts marks not just on their souls but also their bodies. That means that you can visualize existential questions.
First of all, magicians practice a lot. It requires a lot of discipline. Second, you can't be afraid to be a leader, to go onstage, and you learn to have presence. You need to be able to visualize and connect and create. Most important, you learn to think outside the box.
When you're calculating variations - especially long ones - it really helps to visualize the board.
Everything I make as a producer, I visualize it as a DJ first. And all those beats, I test them as a DJ.
I think in order to accomplish anything in life, you have to visualize yourself there - accepting the award, hearing your song on the radio, whatever it is - or you lose the willpower and the drive.
If 10 years from now, when you are doing something quick and dirty, you suddenly visualize that I am looking over your shoulders and say to yourself: 'Dijkstra would not have liked this', well that would be enough immortality for me.
When it was over my daughter said, 'Oh, I felt so sorry for him - he didn't want to hurt you, he liked you.' That was Victoria. When you visualize him up there on top of the Empire State Building, you do feel sorry for him.
When I was covering games, and this is back in the '60s, you'd go into the manager's office. I can still visualize Earl Weaver from the Baltimore Orioles. I can just see Earl now in his underwear... with a beer in one hand and a cigarette in the other, holding court. And that was the way it was done then.