My life and career have been a big improvisation.
To sing a song is like whispering to a child's ear. It is an art heavily relying on improvisation.
I envisage there being absolutely no regulation whatsoever - no minimum wage, no maternity or paternity rights, no unfair dismissal rights, no pension rights - for the smallest companies that are trying to get off the ground, in order to give them a chance.
Much of what happens in Love Always is really from overheard conversations in the Russian Tea Room. It's an improvisation of the way certain Hollywood agents think and talk to each other.
If anybody is a master at improvisation, it would be Ken Jeong. He is hilarious.
My shows have room for a bit of improvisation. In a film, you can't have that risk; you can't have someone taking 10 seconds longer.
We think Facebook and Google know a lot about us - who knows more about us than AmEx, MasterCard and Visa? They know exactly what we spend and where we spent it... so they're looking at ways to unlock it.
I always had a knack for improvisation. I can write down the notes I play, but never really had a proper academic musical background. I suppose I'm blessed and cursed by the fact I have that freedom.
For me anyway, until I was exposed to doing improvisation and walking onto a stage without any script, I would have never felt comfortable enough to walk into a room with someone like Larry David and audition.
It's not so much that I got that idea at some point, it came up naturally because of the improvisational nature of the story I was telling.
