I'd always been extremely fascinated by the French Nuit Blanche, which is a weekend that they have in Paris where they keep all the museums open until dawn. You can go and hang out in Versailles in the middle of the night and watch the sun come up.
To walk into the hall of mirrors of Versailles as Louis XIV and deliver a monologue on your own in an empty hall of mirrors is like no other experience.
I got makeup tests and hair tests for 'Versailles,' and the main thing they were obsessed with was that my hands were disgusting. I had three years of Irish dirt under my nails. I had to have manicures and everything.
Essentially, Louis XIV created exclusivity. If we look at how we live our lives today, many of us are members of clubs or gyms. We search out exclusivity. He created the world of fashion at Versailles.
As a consequence of the terms of the Treaty of Versailles, the officer corps of the old army became part of this class, as did that part of the younger generation who, in the old Germany, would have become officers or civil servants.
Yes, I love going to fittings and talking about the history of a costume. For 'Versailles,' a play set in 1919, the costume designer told me that pocket squares had just been introduced. The tango was becoming fashionable in London, and dancers used them to mop their brows. I love to learn fascinating stuff like that.
I would point out that Japan's proposal at the Versailles Peace Conference on the principle of racial equality was rejected by delegates such as those from Britain and the United States.
When a Frenchman reads of the garden of Eden, I do not doubt but he concludes it was something approaching to that of Versailles, with clipped hedges, berceaus, and trellis work.