I've worked with Len Wiseman before, on the 'Underworld' series, in which I was a vampire. The first two of those were his first two films. And I admire him beyond measure. I think he's tremendous, as a man and as a director.
The primary school I attended in Shanghai was a very liberal one, established by scholars who had return from an education in France. The children of leading families were enrolled there, including the son of a well-known man believed to be a top gangster of the underworld!
'Underworld' was my first filmed book. I think there are about seven of my lines in it.
I'm a fan of the 'Underworld' films, but I don't necessarily consider them horror.
If you're trying to get to the underworld of Berlin, it's not suits and ties; it's rock and roll.
It takes all sorts of people to make the underworld.
Where previously the international underworld was a world of local, often-warring mafia territories, it has become globalised. The criminal has become corporate, and the corporate has become criminal. Organised crime has become very organised indeed.
Mars has long exerted a pull on the human imagination. The erratically moving red star in the sky was seen as sinister or violent by the ancients: The Greeks identified it with Ares, the god of war; the Babylonians named it after Nergal, god of the underworld. To the ancient Chinese, it was Ying-huo, the fire planet.
DeLillo has said that he no longer feels a compulsion to write long, compendious books. In his later years, Saul Bellow said something similar. DeLillo, of course, has written very long in the past, notably with the 850-page Underworld (1997), and his story has been America.
I like that the 'Underworld' series created a whole other world that's totally different yet familiar to our own.
