I'll get cast occasionally as sort of the jerk version of myself, and I have fun doing that. But it's really better for everyone if I stay behind the camera.
When a movie is being rolled out, the studio publicists and all our individual publicists get together and come up with bullet points and talking points - 'Make sure you stay away from this,' and 'Don't say that quite that way, because that quote can be taken out of context,' and that kind of thing.
Coming from a background of being onstage, you're onstage for two and a half hours and you're in it for the whole time no matter what you're doing. Even if you don't have a line, you have to stay in it.
I think as a child you know when it's time for your parents to split. You realise they love each other, but they're not in love with each other. And I think as a child it's much better for your parents to split than for them to stay and have dysfunction within the family.
During events like the World Cup and the Olympics, I tend to get really wrapped up in my own experience to stay focused, but it's like a bubble. I don't see much outside my own perspective.
The reaction to 'Dev D' success wasn't a balanced one from my end. I ran away! I should have stayed around and seen how I could balance things. But I wasn't capable of that.
The first eight years in Mumbai were specially tough. I knew during the first two months of my stay that there's no point waiting for hours to meet producers. They won't meet you and definitely won't give you a role.